I will be working at University of Wolverhampton School of Art to develop and produce a series of sculptures which have sonic capabilities, these sculptures will have surface transducer speakers embedded throughout them. The sonic sculptures will present a collage of sounds from field recordings, audio from recordings, interviews ranging from oral testimony through to the anecdotal, recordings from extraterrestrial planets and digital voices exploring Indian resistance and representation.
I am particularly interested in experimenting with new ways that sound travels as a material in our social, political and cultural ecologies. I will be found working across several workshops to make a body of work that expands upon lineage, longing and the future. My main aims and objectives are to develop new more ambitious and conceptually driven approaches to my video installation practice, to challenge and test out more innovative approaches to sculpture and installations, which will expand the vocabulary of my practice.
I will be working at University of Wolverhampton School of Art to develop and produce a series of sculptures which have sonic capabilities, these sculptures will have surface transducer speakers embedded throughout them. The sonic sculptures will present a collage of sounds from field recordings, audio from recordings, interviews ranging from oral testimony through to the anecdotal, recordings from extraterrestrial planets and digital voices exploring Indian resistance and representation.
I am particularly interested in experimenting with new ways that sound travels as a material in our social, political and cultural ecologies. I will be found working across several workshops to make a body of work that expands upon lineage, longing and the future. My main aims and objectives are to develop new more ambitious and conceptually driven approaches to my video installation practice, to challenge and test out more innovative approaches to sculpture and installations, which will expand the vocabulary of my practice.
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