Previous AA2A Artist

Lisa Earley

Artform:
Textile artist using stitch and applied printmaking
Year:
2012-13
Location:
Winchester
Influences:
Audrey Walker
Email:
lisaearley@btinternet.com
Project summary:

I currently describe myself as a Textile Artist, though I have a career history that includes industrial textile design and education. After redefining my work whilst successfully completing an MA in Textiles at WSA in 2011, I have been concentrating on making my own work and exhibiting with ‘Prism’ group of Textile Artists (currently exhibiting at Whitstable Museum and Art Gallery till January).  I am also working towards a solo and joint exhibitions at the Theatre Royal Winchester and The Nature of Mending project with Walford Mill, Wimborne.

I like to work with stiff, delicate, fabrics that are stitched, punched, etched and bonded with paper to subvert the surface. Metals and patination are a reoccurring theme, as is text either as a motif or a literary starting point. The vulnerability of children featured in literature has been a rich seam of inspiration for me, as a mother I’ve wondered at the questionable situations many of these characters have to conquer.  Recent, largely figurative work, has explored the use of freehand machine embroidery to mimic the marks made in my drawings.

 

I currently describe myself as a Textile Artist, though I have a career history that includes industrial textile design and education. After redefining my work whilst successfully completing an MA in Textiles at WSA in 2011, I have been concentrating on making my own work and exhibiting with ‘Prism’ group of Textile Artists (currently exhibiting at Whitstable Museum and Art Gallery till January).  I am also working towards a solo and joint exhibitions at the Theatre Royal Winchester and The Nature of Mending project with Walford Mill, Wimborne.

I like to work with stiff, delicate, fabrics that are stitched, punched, etched and bonded with paper to subvert the surface. Metals and patination are a reoccurring theme, as is text either as a motif or a literary starting point. The vulnerability of children featured in literature has been a rich seam of inspiration for me, as a mother I’ve wondered at the questionable situations many of these characters have to conquer.  Recent, largely figurative work, has explored the use of freehand machine embroidery to mimic the marks made in my drawings.

 

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