My current studio practice revolves around the investigation of drawing; specifically the relationship between drawing and sculpture. I produce 3D objects through an intuitive, playful process, similar to that of doodling or sketching. Due to the method of making, scale and materials many of the objects produced have, perhaps, more in common with drawing than they do with sculpture. In addition to this, more traditional drawings are made in response to objects and vice versa, and indeed objects are often drawn on to, further developing the drawing/sculpture discourse. In creating this to-and-fro, a constant state of flux is brought into existence, which can only be stabilised through careful selection, intervention and curation.
My current studio practice revolves around the investigation of drawing; specifically the relationship between drawing and sculpture. I produce 3D objects through an intuitive, playful process, similar to that of doodling or sketching. Due to the method of making, scale and materials many of the objects produced have, perhaps, more in common with drawing than they do with sculpture. In addition to this, more traditional drawings are made in response to objects and vice versa, and indeed objects are often drawn on to, further developing the drawing/sculpture discourse. In creating this to-and-fro, a constant state of flux is brought into existence, which can only be stabilised through careful selection, intervention and curation.
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