the snee snaw transforms a see saw into a magical musical thing.  the work explores several themes, and i'm happy for audiences to decode the work for themselves at whatever level they wish to.

going into aa2a i had several ideas for research and in reality it came down to experimenting and researching with sonics for a work to follow the snee snaw.

the soncs research built on the work done within the snee snaw project that uses a library of sounds.  for the new work i wanted explore sounds generated in real time, in direct response to the movement of the play equipment.  i worked in the sound studio at nottingham trent and really enjoyed the time and space to play.  

being on the aa2a scheme helped me to further explore where my practice was and where it is going.

by the end of the time period i had completed many recordings of generated sonic responses to the movement and found that i didn't like the sounds generated in real time.   

right at the end of the process i went through a revealing experience that will help me in my future career development.

this profile stands as a legacy of the research period and my revealing experience.

i remain interested in the notions of possible futures.

i follow the mantra:

play...     learn...    feedback...