Pic of the Week: Liverpool Hope University's AA2A artist Helen Birnbaum's image from her Dotbiz album 'Growing Viral'
You can see more of Helen's work on her Dotbiz page
Tip of the Week from AA2A artists to students (as featured in our self-employment talks): 'Keep your CV fresh and up to date and ready for any opportunities.' Henrietta Corbett, AA2A artist at the University of Derby (2013-14).
Other news: AA2A Engage - We're delighted that a year after AA2A Engage was launched we now have more than 80 previous AA2A artists who are members
And they are...
... from all over the country, giving good geographical coverage
... from 44 different AA2A host institutions (past and present)
... from across all scheme years from 1999 to 2014
Read more about AA2A Engage
The AA2A Team (Wendy, Georgia & Jo)
My new object to cast is a bright red tea pot. After consulting with Joe I've decided to do as with the others a latex mould and then a two halves plaster modroc mould. I filled in the space in the middle of the holdig handel and the opening where the rea come out. I also run a thin layer of clay round for the lid to sid in as I'm not making it hollow inside but as one solid object. I must remember to make the latex mould thicker. The first layers of latex are now drying and I'll continue next Tuesday, can't wait!! What I find hard at the moment is that there is this gap from one time to the next when I would like to get on with things. Maybe it's good to give reflection time.
No with the last patch of mould of Pestle&Mortar and little wooden bowl I was not so successful see http:/
I will try and do a full latex mould with those two. I will digg out my old notes when I did full latex mould years ago and they were delicate moulds of Moroccon tagines.
One of the teachers at College gave me print outs featuring a Korean artist called Meekyoung Shin who makes big and highly complex casts in soap. Different approach but very interesting to look into her inspirations and techniques.
Until recently I hadn't heard of the AA2A scheme and somehow some of my classmates still haven't. I want to bring greater recognition to the scheme which is so helpful to artists and students alike.
I decided to volunteer to be a student rep because I wanted the chance to communicate with practicing artists and find out more about what it means to be a professional fine artist. I also thought it would be a great chance to make contacts and have a website to use as a platform to show case my work. Recently I also realised how vital a scheme such as AA2A could be to students like me in a couple of years when I graduate. As many post graduate courses require at least a years professional experience schemes like AA2A could be vital for us to get that years experience or just to give recent graduates a leg up into the world of being a professional artist.
Because of this possibility of helping us in the future and the opportunity for all students to work with the artists I think it's important to get the word out about the scheme and get people interested to keep such programmes running in a time when arts funding is constantly being cut.
Workshop is empty. Covered the second halves of the moulds in vaseline and then three mod rock layers. I just hope the halves come off as halves and not in bits. Striclty I should have done three part moulds with the bowl and the Mortar. The Vaseline should act as a barrier so they don’t stick together. Joe and I were discussing why I’m doing latex and modroc moulds and and not full silicon moulds. Well, I’m doing lots of different moulds and only need a couple of casts each so the moulds don’t have to last. Silicon moulds would be about £22.- per mould. I like going through the process and it works for me as it is cheaper the way I’m doing it.
Virgin Mary looks great in white soap. It picked up all the details. The more objects I cast the more real the whole projcet feels to me. Apart from the extreme satisfaction of making those objects they are becoming a desireable looking collection. I wonder what the owners of the original will say.
Pic of the Week: University of Wolverhampton's AA2A artist Joanna Manousis' image 'The Dominant Sophia' fom her Dotbiz album 'Studio Portfolio I'
You can see more of Joanna's work on her Dotbiz page
Tip of the Week from AA2A artists to students (as featured in our self-employment talks): 'Manage your time effectively to allow a balance between designated admin time and your practice.' Amy Mountney, AA2A artist at Chelmsford College, (2013-14)
Other news: Check out the upcoming exhibition from recent AA2A artists at Liverpool Hope University from the 22nd of January to the 6th of February ( see our Twitter feed).
Don't forget you can post any upcoming exhibition dates on our exhibitions page and if you send us a poster we'll do our best to advertise through our Twitter and Facebook pages.
The AA2A Team (Wendy, Georgia & Jo)
My first work at Liverpool Hope was inspired by the Ebola tragedy in West Africa which dominated the news as I started my AA2A. These first sketches and maquets show what I was originally itending to produce.
Sketches of my first work about the Ebola Virus
I produced a number of maquets around the theme of Ebola, and eventually realised that I was finding it too hard to create a piece that was anything other than negative - not a thing I wanted to do. I wanted a piece that gave a sense of HOPE despite the tragedies.
Busy in the workshops again as it is Tuesday. In breaktime I got a chance to talk to a couple of students, two girls, as we were all waiting outside the workshops doors to be reopened. They really like it here at the college and one of them has aspirations to go to London after finishing here in year and a half’s time.
Three more latex layers on Pestle&Mortar and bowl all of them with tiny bit of thickener in latex. Still thickens very fast and gets lumpy – maybe even less thickener is required. Got modroc mould of latex skin on Virgin Mary with minor difficulties as it was a little bit stuck on the bottom platform. I’m letting latex layers dry before I modrock Virgin Mary, pestle&mortar and bowl today. All of them are at least a two part moulds so thinking of doing one part of each of them today and then the other tomorrow. For images see http:/
My plan is to get seven more objects over the next week and will do all of them at the same time. I'm allwing time for errors as the process is part of what I'm interested in. I love the moment when you take off plaster shell and then peel the latex back from the object and tarraaa ... or oh dear that didn't work out.
I liked being there in the all day very busy workshop surrounded by college student.
Ah ha I think I`ve finally started to understand what I`m doing. I`ve felt all along that there was a level of understanding that I hadn`t reached. Well I`m sure there`s more to dig, but for the time being I now at least realise that I`m trying to avoid the subjective. All my projects seemed unrelated. This is partly because I`m always so enthusiastic about my latest idea & when it doesn`t get selected, or people don`t respond as I hoped, or the reality doesn`t meet my imagination (nearly always the case) then I tend to start something else. But now I`ve had time to make quite a lot of work, I can see that avoiding the subjective is a common theme. I like to set up projects so that the medium generates the imagery, but still controlling it of course. The image is in the material, it just needs persuading to come to the surface. So now I`ve got a bit of confidence I`m going to harness the little wrigglers and see what comes out. Watch this space ....
Images which accompany this post are here.
Before the Christmas holidays I got into the college and finally got started.
After a bit of research I discovered that there is a mould making and casting materials supplier based in Sheffield so after a phone enquiry I went to collect my first batch of silicone. I always like to visit suppliers in person when I can and as I have only recently moved to Sheffield it was an excuse to visit a trading estate that I hadn’t been to before.
When I got into the 3D workshops at Sheffield college the staff there were really helpful.
After some discussion with Val, the ceramics tutor, I decided to make my first mould from a lovely old copper rose watering can head. I really like the feel and surface of the aged copper and would usually incorporate an old metal object such as this into one of my www.frillipmoolog.co.uk sculptures (beings) but for this AA2A residency I have decided to experiment with casting objects in resin and then use the resin objects as components of a new sculptures (being).
So first I needed to make a mould which would be suitable to cast resin in.
Silicone was the right material. Not the cheapest but I have already worked with latex in the past and wanted to try something new.
Joe, the technician in the 3D workshop has experience of casting in resin so he was a great help; supplying me with spray release agent and clay to build my mould walls. He also reminded me of the basics of two part mould making such as using a coin to make locator lugs so that when you fit the completed parts of the mould together they are perfectly aligned.
I had hoped to have got back into Sheffield college and cast using this mould but due to work and family commitments that didn’t happen. It is January now and time to get back on with it!