I am now glad when I have finished my moulds and I am in the middle of modrocking them all and then ta, ta, ta, ta they will all come out beautifully. That's what I'm hoping. I've made a list of people who might read three of the thoughts about 'What does 'home' mean to you' that people left me in my OSB board 'home'. I've got sixty notes and will ask each person to read three. The recorded lines will form a sound composition that will be part of my solo exhibition in Hull in May/June this year together with the soap casts and four more OSB homes inviting people to share their thoughts on 'home'.
It has been great to get involved with the scheme, i have met some lovely AA2A artists from Teesside University and seen work which i may have otherwise missed out on...
Nice to visit the Gilkes street artist studios a few weeks ago with Emma Bennett and John Wheeler to see their work which was excellent, thanks for the tour!!
Popped over to Saltburn to see Sophie McIntosh's studio and her work which was great, also seeing Jean Baynham's work while there as well as a lovely tutorial.
An exciting opportunity which has come about because of this scheme for myself is being able to become a printing technician with Sophie McIntosh and her studio in Saltburn, a venture which i am looking forward to starting after my degree.
Thank you for this opportunity AA2A!
I've just come across a new material which I've never used before. Terracotta cast with iron is a modelling material akin to plaster. It sets in an hour or so and resembles a bisque fired terracotta. I cast my ' sculptors fingers' in the material as a test, apparently the iron content in the terracotta will go rusty with regular watering. I'm watering one of the digits to see what the result is like...
Pic of the Week: Plymouth University's AA2A artist Graham Seaton's image from his Dotbiz album 'Digital Objects'.
You can see more of Graham's work on his Dotbiz page
Tip of the Week from AA2A artists to students (as featured in our self-employment talks): 'Find opportunities through a-n & other arts listings... and if you don't succeed make your own!' Helen Stratford, AA2A 2013, Sheffield Hallam University.
Other news: a quick heads up - we'll shortly be emailing you our evaluation questionnaires and they'll also available online. They're quite detailed, but it's crucial that we get them all back as your college's evaluation 'score' and feedback allows fine tuning of schemes and has a bearing on whether Colleges can continue. Please can you let us know if your email address etc. has changed since you started the scheme?
The AA2A Team (Wendy, Georgia & Jo)
To co-host the 6th Drawing Prize has been a great opportunity for me to actively get involved in the practicality of the art industry. The main objective of this competition is to encourage and to promote the excellence of drawing within the university. Eligibility to take part was open just to students and staff both past and present. With the most entries this year, the selection is composed of a variety of mediums ranging from sculpture to video and photography, print and large-scale drawings.
After several months of planning the event, we finally had a successful preview with great attendance at the Lewis gallery in Rugby on the 13th of March. Congrats to students Charlotte Pattison and Zivile Steniukynaite, who received the exhibition prize for the opportunity the display work in the gallery and the student cash prize of £500 respectively. Also, congrats to lecturer Mandy Havers who recieved the staff prize for the opportunity to exhibit in the gallery.
The show has proven to be successful as all are invited to the second preview at the Atkins Gallery in Hinckley on the 16th of April. In the show, we would be announcing the Viewers Favourite Prize, which was voted by the public. The show is scheduled to end on the 7th of May.
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Blimey, you go ages undercover & then 2 exhibitions come along at once !
Currently showing 3 pieces as part of Lanchester Drawing Prize at Lewis Gallery in Rugby & then moving to Hinckley Gallery. Organised by Coventry College of Art & Design. Some v nice work on show.
Then showing work at Allesley, Coventry as part of Anna Douglas`s West Point 55 exhibition. On at the Good Honest Food Co. Cafe, Gardenia Drive, Allesley, Coventry until 23rd April. Do come along they do amazing cakes !
I’m currently interested in:
Exploring the photograph in relation to object and space and unearthing the tension that arises from this dualityThemes I would like to explore further
The photograph is an object that encapsulates a fragmented space
Finding an otherness within the imagery that is seemingly familiar yet
Objecthood of the photograph- Michael Fried comparison to abstract painting
Rebecca Ackroyd- use of photography and sculpture- seemingly embraces volume.
Utilize the formal elements within the image and create fragmented space
I want the photograph to convey a sense of otherness, yet reference contradictory elements to create the unfamiliar
Idea of conflicting formal elements to create a tension within the work curve, volume flatness
Photograph is inherently flat
If the photograph embraces sculpture it become object or embraces objecthood
If I want to play with the object/space I will need to create sculptural photographs and flat spaces
Utilising colour can evoke space– though monochrome is perhaps the most effective- think Rothko and Yves Klein.
Experimentation is needed of the different formal elements within the image to play on object and space.
Alludes to architecture
‘Form exists because of space and space exist because of form’ Hans Hoffman, On the Aim of Art
Ben Nicholson- Relief emulating space, sculpture work is very interesting.
Reoccurring within the practice: Repetition, Varying Scale.
Observing work: Tension with the formal elements. Curves contrasted with line.
Geometry within the image is reframing of space
Creating the unfamiliar from the familiar utilising the process of the photography
Objects are a vehicle for the investigation.
Rules in photography-flatness/framing are embraced yet challenged within the work. The sculptural. Questioning scale/the pristine print
Playing with out of focus
Revised Artist Statement Draft
My practice explores the restrictions and expectations within photography to further engage with the defamilization of the familiar. The manipulation of the imagery through distortion of scale, sculptural intervention, and multiple exposures, is thus utilized within the work to create an estranged photographic space/object that embraces contradiction, fragmentation and tension.
There has been a lot happening since my last blog post... I have some retrospective blog posts to make and also some current ones documenting my recent activities. The lack of internet at my home for nearly two months has been a big hidrance to me keeping on top of my social media!
First up is the two workshops I ran with the second year BA fashion students in February. York Museums Trust had invited the second year students to respond to a large contemporary piece within their collection. The Museums Trust and York College also invited me to run two workshops with the fashion students to support this project. Firstly we had a group visit to look around the ceramic stores together.
We had a lovely little explore of the stores and I gave a little of my insight into Chinese porcelain...
The two workshops then took place at York College, the first workshop was focusing on the initial making whilst the second was looking at glazing. This was the fashion students first introduction to ceramics, as it was a small group I wanted to work with them to help realise their individual thoughts and ideas, this meant that they were all working with different methods and we covered a rather broad base, this ranged from slip casting to working with slabs to modelling. I don't have many photographs of these workshops as I was mainly focused on delivering them... I managed to grab a couple of afterthought shots though...
The work has all now been fired and the fashion students are busy intergrating the ceramics with fabrics to create new fashion designs. I'll post some pics of their progress soon.
I have been working towards building a serise of robotic sculptutres that demosrate random free movement. I am particularly interested in how these things will react in a space and the different momentum patterns that may occur.
This is an elastic powerd kinetic sculpture. It works by winding up the two modular parts then when they are released they go into a short spazum of random movement.
Here are A number of Short videos showing the development and build of the Elasic powerd robot Sculpture.
Pic of the Week: University of Bedfordshire's AA2A artist Georgia Lucas-Going's image 'North Korea in Luton' from her Dotbiz album 'Work In Progress'
You can see more of Georgia's work on her Dotbiz page
Tip of the Week from AA2A artists to students (as featured in our self-employment talks): 'Stay connected to existing college networks and build on those networks. Consider collaborative practice to avoid working in isolation.' Sally Hall, AA2A artist at Plymouth University (2013-14)
Other news: We need your help to rally students (and the public) to vote for an artist. You can do this from any 2014/15 artists profile page on Dotbiz. The artist who gets the most student votes will have the opportunity to have their project presented at our AA2A Briefing Day for Colleges. Both the student and the public favourite artist will be featured as Artists of the Year on our websites. And don't forget you too can vote for your favourite in the public vote.
The AA2A Team (Wendy, Georgia & Jo)